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Course
Description: Use of color vectors can demystify camera sensors,
lighting, and other topics, but new color matching functions (CMFs)
are needed. Orthonormal opponent CMFs map lights into Jozef Cohen’s
logical color space and establish intuitive axes: whiteness,
red-green, and blue-yellow. Color
mixing is summarized by an invariant curve in 3D, the locus of unit
monochromats (LUM). If a camera’s LUM matches the eye’s, it meets
Luther’s criterion. Worthey presented details at CIC’s 12 and 14.
The tutorial will emphasize the practical use of color vectors and
the orthonormal CMFs. If you’ll bring a computer, please install a
VRML viewer. For background, see www.jimworthey.com
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Benefits:
This course will enable the attendee to
- use the orthonormal CMFs, and
calculate color vectors.
- understand the Locus of Unit
Monochromats and the role of vector amplitude.
- work with 3D plots of such
data as color chips under a lighting change.
- Generate a camera’s
orthonormal basis, and compare it to the eye’s. The algorithm is
simple, then understanding may take a little time.
- Using the camera’s orthonormal
basis, compare light sources; thus analyze a copier or flash camera.
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Intended
audience: Scientists and
engineers who design or apply camera systems or lights. While certain
applications will be stressed, the vectorial approach applies to all
color work. For example, multi-primary systems and image compression
are natural applications.
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